Enough
Mother Earth’s love for Her insatiable human children is challenged during a dystopian global warming future. Puppetry capitalism monsters are depleting Mother’s resources, causing Her to make the ultimate sacrifice. What will happen when Mother Earth has had enough of our greedy, unsustainable ways?
Enough is a cautionary global warming tale about the conflict between environmental sustainability and the endless, unchecked greed of our politicians, polluting industries, and the media – who are all profiting from the destruction of our planet.
The story opens with Mother Earth giving birth in a visually stunning montage that illustrates the parallels of biology that connect all Mother Earth's children. The montage ends with Mother Earth greeting Her first human baby, King Water Monster, our anti-villain.
Cut to Act Two, a dystopian climate future in 2050. King Water Monster is an insatiable CEO running his corporation the best way he knows how: so everyone can get what they are worth. Protesters’ collective action and community resource sharing juxtapose the overwhelmingly selfish greed of Energy Monster and Propaganda Monster. A burlesque puppet show of consuming CEO Mouths hypocritically celebrate the holiday “Mother’s Day,” while driving mass profit and ironically sucking our “Divine Provider” dry of her resources.
More. More. More. More… Until Mother Earth runs out of resources and kills her human children through a violent, unforgiving series of storms. The story concludes in a post-dinosaur, “life finds a way” fashion. Mother Earth and her non-human children live on in ecological harmony, demonstrating the reciprocal love Mother deserved all along.
Writer/Director/Producer: Madi Delk
Madi Delk is an ambitious, entrepreneurial-minded creator who believes the power of storytelling can change the world. Credits include: Producer & Co-Editor “Magical Girls;” Co-Producer “Gracie & Pedro: Pets to the Rescue;” UPM: "Admissions" and "Strange, But Perfect," EP/Director's Assistant on FX’s “The Bear” and Amazon Studio’s “Night Sky.” Madi got her start as an office PA on “Empire” and “Power Book IV: Force.” A 5th-generation Iowan on both sides, growing up Madi's entire family lived on the same block where her grandparents built their house. In her free time, Madi enjoys rock climbing, brewing kombucha, and eating her way through the Iowa State Fair.
Director of Photography: J. Amy Limpinyakul
Jutaluck Amy Limpinyakul is a Chicago-born cinematographer whose work blends technical precision with deep-rooted storytelling. Amy was the second unit cinematographer for the FX Series, “The Bear,” in which she was praised for capturing the essence of Chicago that is rarely showcased. She shot the TV Pilot, “Hank and Willow,” which won best TV Pilot at the Vancouver Independent Film Festival (2023) and SOHO International Film Festival (2023). Amy was accepted into the AFI Cinematography Intensive for Women. She was also accepted into the highly competitive ASC Visions Program 2024-2025. When she is not filming, Amy enjoys rock climbing, writing music, and catching up on movies. Amy is a citizen of both the USA and Thailand.
Puppet Designer, Fabricator, & Department Head: Jackie Smook
Jackie Smook is a multi-talented creator, writer/director, puppet master, builder, performer, and designer who blends heart, humor, and spectacle in everything she does. Founder of Jackie Smook Company LLC, a creative studio known for her imaginative craftsmanship, expressive characters, and bold artistic vision. Production credits include Creator, Production Designer, Director, & "Dilly" for "Dilly's World," a family-friendly TV show that nods to classics like Pee-wee's Playhouse and The Big Comfy Couch. Jackie’s performed in national commercials, appeared on TV shows, like "American Idol" - where her puppets shared the spotlight. She writes and performs original theater works, such as "The Jackie Smook Program of De-Dumbification" and "Under Your Skin," earning recognition (including the Best Emerging Artist Award). Jackie builds puppets, builds stories, and builds spaces – so that art isn’t just something people consume, but something people make, feel, and share.
Production Designer: Mattheus Leonhard
Mattheus Leonhard is a production designer and art director with over 17 years of experience creative visually rich, story-driven environments for film and television. His credits include production design and art direction for the television series “Donkey Hodie” (2021-2024), as well as feature films “Monkey’s Magic Merry-Go-Round” (2024) and “Yellow Eyes” (2024). Mattheus brings a material-forward approach to world-building. His work is grounded in traditional craftsmanship and informed by modern fabrication and design technologies. He is known for translating ambitious ideas into tangible realities from large-scale builds to intricate fabricated environments. Mattheus has led art departments on complex production while balancing creative vision, budget, and schedule. He is based in Chicago, Illinois, where he is the owner of Leonhard Studio LLC.
Editor: Caleb Keisker
Caleb Keisker is a Chicago-based editor, whose career spans television, short film, music videos, and commercials. He has built a reputation for hard work, adaptability, and a collaborative spirit. He is part of the editorial team on PBS KIDS’ “Donkey Hodie,” serving as a part-time Editor, Assistant Editor, and VFX Assistant. The series has been recognized with multiple Emmy nominations and Kid Screen honors. Caleb’s editorial work also includes a Regional Emmy for ABC’s New Year’s Eve coverage. Caleb graduated from DePaul University with a BA in Digital Cinema, concentrating in post-production. Outside of work, Caleb enjoys running along the lakefront, traveling with his sister Hannah and partner Courtney, and spending time with his dog, Nova.
Learn more: https://linktr.ee/enoughfilm
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